All Fur :: essays research papers

All Fur is a 19th century German tale written by the Brothers Grimm. The tale deals with incest and how a young lady can escape an abusive father. When the King's wife dies it becomes imperative that he was to marry again. However, he would not settle on any woman unless she was as beautiful as his late wife was. Ironically, the only woman in the kingdom that possesses the beauty of his wife is his daughter, with whom he becomes obsessed. In the tale it is said that, "†¦In every respect she was like his dead wife†¦" suggesting the projection of an anima ideal. This leaves no room for the princess to be different from her mother (Jewett, 20). She is the bloodline of the wife and is just as beautiful. The King plans on having an incestuous relationship with her. This is not the sign of a good parent. This type of relationship is symbolic of the faults of parents in 19th century Germany. Not all parents knew how to act the right way and Brothers Grimm account of monstrous parents brought a social light to this. The King's daughter, obviously releasing the unnatural and cynical intentions of her father, refused to let him have his way. The princess makes a decision based on her moral values and determines on her own that her father is wrong. Interestingly here, the Brothers Grimm play on a common theme that Perrault used in the development of his heroes and heroines. All Fur gives her father three tasks that must be accomplished in order for her hand in marriage. The princess, not yet at her highest level of development, which is necessary to become a heroine, tries to out smart her father by giving him seemingly impossible tasks. The King somehow manages to come up with her gifts, but in her development into a heroine she realizes that the gifts actually will help her achieve her journey to the highest level of development (Jewett 20). In 19th century Germany it was considered a horrible act to disobey or try to deceive one's own parents. However, the Brothers Grimm, through their themes of monstrous parents and moral development, show that in some circumstances parents need to be disobeyed. The princess must now begin her "journey". She uses the gifts that he provided to help her get away from him.

The Labor Debate, An American :: essays research papers

'The Labor Debate:'; The American Dream Revisited   Ã‚  Ã‚  Ã‚  Ã‚  Immigration is one hot topic in modern day conversation. Many believe that immigrants coming to the United States are taking many well-needed jobs away from able-bodied Americans. On the other hand, there are still those that believe that the jobs being taken away are not ones that Americans would perform due to the terrible working conditions, low pay, and lack of medical coverage. The immigration problem has come to a point where the United States must make a decision to spend a lot of money to curtail the amount of immigrants using force and funds of an overbearing amount, or to just let the immigrants continue to go about their business in trying to find a way into a country where they are mildly welcome. The article 'The Labor Debate'; discusses both the pros and cons of immigrants, both legal and illegal alike, taking jobs of their own in a country where they might not be welcome.   Ã‚  Ã‚  Ã‚  Ã‚   I believe that the immigrants are not necessarily taking jobs away from the American worker. Those occupations that the immigrants possess are truly illegal for any employer to employ any American. The job sights include unsanitary conditions, dangerous equipment use without proper safety precautions, extremely long working days, and less than minimum wage for average pay. There is not one citizen in this country that would stand for such an outrageous environment to work in. Many would go directly to an inspection board to have the factory/plant evaluated to see if the factory could pass any sort of inspection. Hence, the factory/plant would be closed down and there would be even fewer jobs for Americans.   Ã‚  Ã‚  Ã‚  Ã‚  Those immigrants out there that are working are helping to construct certain items that citizens of the United States do not want to be a part of. Take as an example the sewing of blue jeans, a product that graces the legs of half the country. Many Americans out there need this clothing for working and playing in. However, the tedious work of sewing blue jeans does not fit into the description of the American dream for the citizens of this country. If it helps to put some food on the table for a starving family from Mexico, ask yourself if it is truly worth it to throw all the illegal immigrants out to send them to a place where no jobs are available to pay them money that can even provide this meager amount of food?

The Yellow Wallpaper by Charlotte Perkins Gilman :: The Yellow Wallpaper Essays

The Yellow Wall Paper: Profound I believe that American Literature is very profound to understand it. It has a lot of meaning that can help us see our American society in a different way or help us understand it better. Everything in American literature is express through words, not images. However, Literature most of the time open our mind to visualized what is being said. In "the Yellow Wall Paper" story, I believe the author is expressing herself through words as if she is describing an abstract painting. I believe this story is not literal. I believe this story is composed as an abstract painting that is full of meaning. Ralph Waldo Emerson was a strong influential on the lives of many writers during the time this story was written. "Emerson's emphasis on individuality, nonconformity, and resistance to traditional authority defines a national identity for Americans still seeking independence from English influence;"(NIck Evans). Now, I believe that Gilman was very much influence by what Emer son said in his lectures during this time. The purpose of this paper is to show how Gilman had a respond to what emerson said through my interpretation of Charlotte Perkins Gilman story. Now, the overall body of this paper is first,I will give many paragraphs with a particular point on each one of them together with my interpretation of each one. My Point is that each paragraph will be adding up to the final Paragraph which will give my final interpretation of the story. In the conclusion, I will restate my interpretation together with some historical facts and emersons ideas that will correspond to my interpretation of Gilman. My goal of this paper is to show how Gilman is using the story like an abstract painting to open the eyes of women to be nonconformists in society and at home. First of all, John and his wife arrived to live in a big house for a short time together with John sister. In this house there is a room with a yellow wall paper. Before they arrive this room was use as a nursery, playroom and gymnasium. I believe this three different functions gives us a summary of the experiences of John's wife in this room. She arrive here to have a "total rest cure" for her depression. What is the significance of the room being a nursery? The Yellow Wallpaper by Charlotte Perkins Gilman :: The Yellow Wallpaper Essays The Yellow Wall Paper: Profound I believe that American Literature is very profound to understand it. It has a lot of meaning that can help us see our American society in a different way or help us understand it better. Everything in American literature is express through words, not images. However, Literature most of the time open our mind to visualized what is being said. In "the Yellow Wall Paper" story, I believe the author is expressing herself through words as if she is describing an abstract painting. I believe this story is not literal. I believe this story is composed as an abstract painting that is full of meaning. Ralph Waldo Emerson was a strong influential on the lives of many writers during the time this story was written. "Emerson's emphasis on individuality, nonconformity, and resistance to traditional authority defines a national identity for Americans still seeking independence from English influence;"(NIck Evans). Now, I believe that Gilman was very much influence by what Emer son said in his lectures during this time. The purpose of this paper is to show how Gilman had a respond to what emerson said through my interpretation of Charlotte Perkins Gilman story. Now, the overall body of this paper is first,I will give many paragraphs with a particular point on each one of them together with my interpretation of each one. My Point is that each paragraph will be adding up to the final Paragraph which will give my final interpretation of the story. In the conclusion, I will restate my interpretation together with some historical facts and emersons ideas that will correspond to my interpretation of Gilman. My goal of this paper is to show how Gilman is using the story like an abstract painting to open the eyes of women to be nonconformists in society and at home. First of all, John and his wife arrived to live in a big house for a short time together with John sister. In this house there is a room with a yellow wall paper. Before they arrive this room was use as a nursery, playroom and gymnasium. I believe this three different functions gives us a summary of the experiences of John's wife in this room. She arrive here to have a "total rest cure" for her depression. What is the significance of the room being a nursery?

A Game of Thrones Chapter Ten

Jon Jon climbed the steps slowly, trying not to think that this might be the last time ever. Ghost padded silently beside him. Outside, snow swirled through the castle gates, and the yard was all noise and chaos, but inside the thick stone walls it was still warm and quiet. Too quiet for Jon's liking. He reached the landing and stood for a long moment, afraid. Ghost nuzzled at his hand. He took courage from that. He straightened, and entered the room. Lady Stark was there beside his bed. She had been there, day and night, for close on a fortnight. Not for a moment had she left Bran's side. She had her meals brought to her there, and chamber pots as well, and a small hard bed to sleep on, though it was said she had scarcely slept at all. She fed him herself, the honey and water and herb mixture that sustained life. Not once did she leave the room. So Jon had stayed away. But now there was no more time. He stood in the door for a moment, afraid to speak, afraid to come closer. The window was open. Below, a wolf howled. Ghost heard and lifted his head. Lady Stark looked over. For a moment she did not seem to recognize him. Finally she blinked. â€Å"What are you doing here?† she asked in a voice strangely flat and emotionless. â€Å"I came to see Bran,† Jon said. â€Å"To say good-bye.† Her face did not change. Her long auburn hair was dull and tangled. She looked as though she had aged twenty years. â€Å"You've said it. Now go away.† Part of him wanted only to flee, but he knew that if he did he might never see Bran again. He took a nervous step into the room. â€Å"Please,† he said. Something cold moved in her eyes. â€Å"I told you to leave,† she said. â€Å"We don't want you here.† Once that would have sent him running. Once that might even have made him cry. Now it only made him angry. He would be a Sworn Brother of the Night's Watch soon, and face worse dangers than Catelyn Tully Stark. â€Å"He's my brother,† he said. â€Å"Shall I call the guards?† â€Å"Call them,† Jon said, defiant. â€Å"You can't stop me from seeing him.† He crossed the room, keeping the bed between them, and looked down on Bran where he lay. She was holding one of his hands. It looked like a claw. This was not the Bran he remembered. The flesh had all gone from him. His skin stretched tight over bones like sticks. Under the blanket, his legs bent in ways that made Jon sick. His eyes were sunken deep into black pits; open, but they saw nothing. The fall had shrunken him somehow. He looked half a leaf, as if the first strong wind would carry him off to his grave. Yet under the frail cage of those shattered ribs, his chest rose and fell with each shallow breath. â€Å"Bran,† he said, â€Å"I'm sorry I didn't come before. I was afraid.† He could feel the tears rolling down his cheeks. Jon no longer cared. â€Å"Don't die, Bran. Please. We're all waiting for you to wake up. Me and Robb and the girls, everyone . . . â€Å" Lady Stark was watching. She had not raised a cry. Jon took that for acceptance. Outside the window, the direwolf howled again. The wolf that Bran had not had time to name. â€Å"I have to go now,† Jon said. â€Å"Uncle Benjen is waiting. I'm to go north to the Wall. We have to leave today, before the snows come.† He remembered how excited Bran had been at the prospect of the journey. It was more than he could bear, the thought of leaving him behind like this. Jon brushed away his tears, leaned over, and kissed his brother lightly on the lips. â€Å"I wanted him to stay here with me,† Lady Stark said softly. Jon watched her, wary. She was not even looking at him. She was talking to him, but for a part of her, it was as though he were not even in the room. â€Å"I prayed for it,† she said dully. â€Å"He was my special boy. I went to the sept and prayed seven times to the seven faces of god that Ned would change his mind and leave him here with me. Sometimes prayers are answered.† Jon did not know what to say. â€Å"It wasn't your fault,† he managed after an awkward silence. Her eyes found him. They were full of poison. â€Å"I need none of your absolution, bastard.† Jon lowered his eyes. She was cradling one of Bran's hands. He took the other, squeezed it. Fingers like the bones of birds. â€Å"Good-bye,† he said. He was at the door when she called out to him. â€Å"Jon,† she said. He should have kept going, but she had never called him by his name before. He turned to find her looking at his face, as if she were seeing it for the first time. â€Å"Yes?† he said. â€Å"It should have been you,† she told him. Then she turned back to Bran and began to weep, her whole body shaking with the sobs. Jon had never seen her cry before. It was a long walk down to the yard. Outside, everything was noise and confusion. Wagons were being loaded, men were shouting, horses were being harnessed and saddled and led from the stables. A light snow had begun to fall, and everyone was in an uproar to be off. Robb was in the middle of it, shouting commands with the best of them. He seemed to have grown of late, as if Bran's fall and his mother's collapse had somehow made him stronger. Grey Wind was at his side. â€Å"Uncle Benjen is looking for you,† he told Jon. â€Å"He wanted to be gone an hour ago.† â€Å"I know,† Jon said. â€Å"Soon.† He looked around at all the noise and confusion. â€Å"Leaving is harder than I thought.† â€Å"For me too,† Robb said. He had snow in his hair, melting from the heat of his body. â€Å"Did you see him?† Jon nodded, not trusting himself to speak. â€Å"He's not going to die,† Robb said. â€Å"I know it.† â€Å"You Starks are hard to kill,† Jon agreed. His voice was flat and tired. The visit had taken all the strength from him. Robb knew something was wrong. â€Å"My mother . . . â€Å" â€Å"She was . . . very kind,† Jon told him. Robb looked relieved. â€Å"Good.† He smiled. â€Å"The next time I see you, you'll be all in black.† Jon forced himself to smile back. â€Å"It was always my color. How long do you think it will be?† â€Å"Soon enough,† Robb promised. He pulled Jon to him and embraced him fiercely. â€Å"Farewell, Snow.† Jon hugged him back. â€Å"And you, Stark. Take care of Bran.† â€Å"I will.† They broke apart and looked at each other awkwardly. â€Å"Uncle Benjen said to send you to the stables if I saw you,† Robb finally said. â€Å"I have one more farewell to make,† Jon told him. â€Å"Then I haven't seen you,† Robb replied. Jon left him standing there in the snow, surrounded by wagons and wolves and horses. It was a short walk to the armory. He picked up his package and took the covered bridge across to the Keep. Arya was in her room, packing a polished ironwood chest that was bigger than she was. Nymeria was helping. Arya would only have to point, and the wolf would bound across the room, snatch up some wisp of silk in her jaws, and fetch it back. But when she smelled Ghost, she sat down on her haunches and yelped at them. Arya glanced behind her, saw Jon, and jumped to her feet. She threw her skinny arms tight around his neck. â€Å"I was afraid you were gone,† she said, her breath catching in her throat. â€Å"They wouldn't let me out to say good-bye.† â€Å"What did you do now?† Jon was amused. Arya disentangled herself from him and made a face. â€Å"Nothing. I was all packed and everything.† She gestured at the huge chest, no more than a third full, and at the clothes that were scattered all over the room. â€Å"Septa Mordane says I have to do it all over. My things weren't properly folded, she says. A proper southron lady doesn't just throw her clothes inside her chest like old rags, she says.† â€Å"Is that what you did, little sister?† â€Å"Well, they're going to get all messed up anyway,† she said. â€Å"Who cares how they're folded?† â€Å"Septa Mordane,† Jon told her. â€Å"I don't think she'd like Nymeria helping, either.† The she-wolf regarded him silently with her dark golden eyes. â€Å"It's just as well. I have something for you to take with you, and it has to be packed very carefully.† Her face lit up. â€Å"A present?† â€Å"You could call it that. Close the door.† Wary but excited, Arya checked the hall. â€Å"Nymeria, here. Guard.† She left the wolf out there to warn of intruders and closed the door. By then Jon had pulled off the rags he'd wrapped it in. He held it out to her. Arya's eyes went wide. Dark eyes, like his. â€Å"A sword,† she said in a small, hushed breath. The scabbard was soft grey leather, supple as sin. Jon drew out the blade slowly, so she could see the deep blue sheen of the steel. â€Å"This is no toy,† he told her. â€Å"Be careful you don't cut yourself. The edges are sharp enough to shave with.† â€Å"Girls don't shave,† Arya said. â€Å"Maybe they should. Have you ever seen the septa's legs?† She giggled at him. â€Å"It's so skinny.† â€Å"So are you,† Jon told her. â€Å"I had Mikken make this special. The bravos use swords like this in Pentos and Myr and the other Free Cities. It won't hack a man's head off, but it can poke him full of holes if you're fast enough.† â€Å"I can be fast,† Arya said. â€Å"You'll have to work at it every day.† He put the sword in her hands, showed her how to hold it, and stepped back. â€Å"How does it feel? Do you like the balance?† â€Å"I think so,† Arya said. â€Å"First lesson,† Jon said. â€Å"Stick them with the pointy end.† Arya gave him a whap on the arm with the flat of her blade. The blow stung, but Jon found himself grinning like an idiot. â€Å"I know which end to use,† Arya said. A doubtful look crossed her face. â€Å"Septa Mordane will take it away from me.† â€Å"Not if she doesn't know you have it,† Jon said. â€Å"Who will I practice with?† â€Å"You'll find someone,† Jon promised her. â€Å"King's Landing is a true city, a thousand times the size of Winterfell. Until you find a partner, watch how they fight in the yard. Run, and ride, make yourself strong. And whatever you do . . . â€Å" Arya knew what was coming next. They said it together. † . . . don't . . . tell . . . Sansa!† Jon messed up her hair. â€Å"I will miss you, little sister.† Suddenly she looked like she was going to cry. â€Å"I wish you were coming with us.† â€Å"Different roads sometimes lead to the same castle. Who knows?† He was feeling better now. He was not going to let himself be sad. â€Å"I better go. I'll spend my first year on the Wall emptying chamber pots if I keep Uncle Ben waiting any longer.† Arya ran to him for a last hug. â€Å"Put down the sword first,† Jon warned her, laughing. She set it aside almost shyly and showered him with kisses. When he turned back at the door, she was holding it again, trying it for balance. â€Å"I almost forgot,† he told her. â€Å"All the best swords have names.† â€Å"Like Ice,† she said. She looked at the blade in her hand. â€Å"Does this have a name? Oh, tell me.† â€Å"Can't you guess?† Jon teased. â€Å"Your very favorite thing.† Arya seemed puzzled at first. Then it came to her. She was that quick. They said it together: â€Å"Needle!† The memory of her laughter warmed him on the long ride north.

Prelude to Foundation Chapter 3 University

STREELING UNIVERSITY-†¦ An institution of higher learning in the Streeling Sector of ancient Trantor†¦ Despite all these claims to fame in the fields of the humanities and sciences alike, it is not for those that the University looms large in today's consciousness. It would probably have come as a total surprise to the generations of scholars at the University to know that in later times Streeling University would be most remembered because a certain Hari Seldon, during the period of The Flight, had been in residence there for a short time. Encyclopedia Galactica 11. Hari Seldon remained uncomfortably silent for a while after Hummin's quiet statement. He shrank within himself in sudden recognition of his own deficiencies. He had invented a new science: psychohistory. He had extended the laws of probability in a very subtle manner to take into account new complexities and uncertainties and had ended up with elegant equations in innumerable unknowns. Possibly an infinite number; he couldn't tell. But it was a mathematical game and nothing more. He had psychohistory-or at least the basis of psychohistory but only as a mathematical curiosity. Where was the historical knowledge that could perhaps give some meaning to the empty equations? He had none. He had never been interested in history. He knew the outline of Heliconian history. Courses in that small fragment of the human story had, of course, been compulsory in the Heliconian schools. But what was there beyond that? Surely what else he had picked up was merely the bare skeletons that everyone gathered-half legend, the other half surely distorted. Still, how could one say that the Galactic Empire was dying? It had existed for ten thousand years as an accepted Empire and even before that, Trantor, as the capital of the dominating kingdom, had held what was a virtual empire for two thousand years. The Empire had survived the early centuries when whole sections of the Galaxy would now and then refuse to accept the end of their local independence. It had survived the vicissitudes that went with the occasional rebellions, the dynastic wars, some serious periods of breakdown. Most worlds had scarcely been troubled by such things and Trantor itself had grown steadily un til it was the worldwide human habitation that now called itself the Eternal World. To be sure, in the last four centuries, turmoil had increased somehow and there had been a rash of Imperial assassinations and takeovers. But even that was calming down and right now the Galaxy was as quiet as it had ever been. Under Cleon I and before him under his father, Stanel VI, the worlds were prosperous-and Cleon himself was not considered a tyrant. Even those who disliked the Imperium as an institution rarely had anything truly bad to say about Cleon, much as they might inveigh against Eto Demerzel. Why, then, should Hummin say that the Galactic Empire was dying-and with such conviction? Hummin was a journalist. He probably knew Galactic history in some detail and he had to understand the current situation in great detail. Was it this that supplied him with the knowledge that lay behind his statement? In that case, just what was the knowledge? Several times Seldon was on the point of asking, of demanding an answer, but there was something in Hummin's solemn face that stopped him. And there was something in his own ingrained belief that the Galactic Empire was a given, an axiom, the foundation stone on which all argument rested that prevented him too. After all, if that was wrong, he didn't want to know. No, he couldn't believe that he was wrong. The Galactic Empire could no more come to an end than the Universe itself could. Or, if the Universe did end, then-and only then-would the Empire end. Seldon closed his eyes, attempting to sleep but, of course, he could not. Would he have to study the history of the Universe in order to advance his theory of psychohistory? How could he? Twenty-five million worlds existed, each with its own endlessly complex history. How could he study all that? There were book-films in many volumes, he knew, that dealt with Galactic history. He had even skimmed one once for some now-forgotten reason and had found it too dull to view even halfway through. The book-films had dealt with important worlds. With some, it dealt through all or almost all their history; with others, only as they gained importance for a time and only till they faded away. He remembered having looked up Helicon in the index and having found only one citation. He had punched the keys that would turn up that citation and found Helicon included in a listing of worlds which, on one occasion, had temporarily lined up behind a certain claimant to the Imperial throne who had failed to make good his claim. Helicon had escaped retribution on that occasion, probably because it was not even sufficiently important to be punished. What good was such a history? Surely, psychohistory would have to take into account the actions and reactions and interactions of each world-each and every world. How could one study the history of twenty-five million worlds and consider all their possible interactions? It would surely be an impossible task and this was just one more reinforcement of the general conclusion that psychohistory was of theoretical interest but could never be put to any practical use. Seldon felt a gentle push forward and decided that the air-taxi must be decelerating. â€Å"What's up?† he asked. â€Å"I think we've come far enough,† said Hummin, â€Å"to risk a small stopover for a bite to eat, a glass of something or other, and a visit to a washroom.† And, in the course of the next fifteen minutes, during which the air-taxi slowed steadily, they came to a lighted recess. The taxi swerved inward and found a parking spot among five or six other vehicles. 12. Hummin's practiced eye seemed to take in the recess, the other taxis, the diner, the walkways, and the men and women all at a glance. Seldon, trying to look inconspicuous and again not knowing how, watched him, trying not to do so too intently. When they sat down at a small table and punched in their orders, Seldon, attempting to sound indifferent, said, â€Å"Everything okay?† â€Å"Seems so,† said Hummin. â€Å"How can you tell?† Hummin let his dark eyes rest on Seldon for a moment. â€Å"Instinct,† he said. â€Å"Years of news gathering. You look and know, ‘No news here.' â€Å" Seldon nodded and felt relieved. Hummin might have said it sardonically, but there must be a certain amount of truth to it. His satisfaction did not last through the first bite of his sandwich. He looked up at Hummin with his mouth full and with a look of hurt surprise on his face. Hummin said, â€Å"This is a wayside diner, my friend. Cheap, fast, and not very good. The food's homegrown and has an infusion of rather sharp yeast. Trantorian palates are used to it.† Seldon swallowed with difficulty. â€Å"But back in the hotel-â€Å" â€Å"You were in the Imperial Sector, Seldon. Food is imported there and where microfood is used it is high-quality. It is also expensive.† Seldon wondered whether to take another bite. â€Å"You mean that as long as I stay on Trantor-â€Å" Hummin made a hushing motion with his lips. â€Å"Don't give anyone the impression that you're used to better. There are places on Trantor where to be identified as an aristocrat is worse than being identified as an Outworlder. The food won't be so bad everywhere, I assure you. These wayside places have a reputation for low quality. If you can stomach that sandwich, you'll be able to eat anywhere on Trantor. And it won't hurt you. It's not decayed or bad or anything like that. It just has a harsh, strong taste and, honestly, you may grow accustomed to it. I've met Trantorians who spit out honest food and say it lacks that homegrown tang.† â€Å"Do they grow much food on Trantor?† asked Seldon. A quick side glance showed him there was no one seated in the immediate vicinity and he spoke quietly. â€Å"I've always heard it takes twenty surrounding worlds to supply the hundreds of freight ships required to feed Trantor every day.† â€Å"I know. And hundreds to carry off the load of wastes. And if you want to make the story really good, you say that the same freight ships carry food one way and waste the other. It's true that we import considerable quantities of food, but that's mostly luxury items. And we export considerable waste, carefully treated into inoffensiveness, as important organic fertilizer-every bit as important to other worlds as the food is to us. But that's only a small fraction of the whole.† â€Å"It is?† â€Å"Yes. In addition to fish in the sea, there are gardens and truck farms everywhere. And fruit trees and poultry and rabbits and vast microorganism farms-usually called yeast farms, though the yeast makes up a minority of the growths. And our wastes are mostly used right here at home to maintain all that growth. In fact, in many ways Trantor is very much like an enormous and overgrown space settlement. Have you ever visited one of those?† â€Å"Indeed I have.† â€Å"Space settlements are essentially enclosed cities, with everything artificially cycled, with artificial ventilation, artificial day and night, and so on. Trantor is different only in that even the largest space settlement has a population of only ten million and Trantor has four thousand times that. Of course, we have real gravity. And no space settlement can match us in our microfoods. We have yeast vats, fungal vats, and algae ponds vast beyond the imagination. And we are strong on artificial flavoring, added with no light hand. That's what gives the taste to what you're eating.† Seldon had gotten through most of his sandwich and found it not as offensive as the first bite had been. â€Å"And it won't affect me?† â€Å"It does hit the intestinal flora and every once in a while it afflicts some poor Outworlder with diarrhea, but that's rare, and you harden even to that quickly. Still, drink your milkshake, which you probably won't like. It contains an antidiarrhetic that should keep you safe, even if you tend to be sensitive to such things.† Seldon said querulously, â€Å"Don't talk about it, Hummin. A person can be suggestible to such things.† â€Å"Finish the milkshake and forget the suggestibility.† They finished the rest of their meal in silence and soon were on their way again. 13. They were now racing rapidly through the tunnel once more. Seldon decided to give voice to the question that had been nagging at him for the last hour or so. â€Å"Why do you say the Galactic Empire is dying?† Hummin turned to look at Seldon again. â€Å"As a journalist, I have statistics poured into me from all sides till they're squeezing out of my ears. And I'm allowed to publish very little of it. Trantor's population is decreasing. Twenty-five years ago, it stood at almost forty-five billion. â€Å"Partly, this decrease is because of a decline in the birthrate. To be sure, Trantor never has had a high birthrate. If you'll look about you when you're traveling on Trantor, you won't encounter very many children, considering the enormous population. But just the same it's declining. Then too there is emigration. People are leaving Trantor in greater numbers than are arriving.† â€Å"Considering its large population,† said Seldon, â€Å"that's not surprising.† â€Å"But it's unusual just the same because it hasn't happened before. Again, all over the Galaxy trade is stagnating. People think that because there are no rebellions at the moment and because things are quiet that all is well and that the difficulties of the past few centuries are over. However, political infighting, rebellions, and unrest are all signs of a certain vitality too. But now there's a general weariness. It's quiet, not because people are satisfied and prosperous, but because they're tired and have given up.† â€Å"Oh, I don't know,† said Seldon dubiously. â€Å"I do. And the antigrav phenomenon we've talked about is another case in point. We have a few gravitic lifts in operation, but new ones aren't being constructed. It's an unprofitable venture and there seems no interest in trying to make it profitable. The rate of technological advance has been slowing for centuries and is down to a crawl now. In some cases, it has stopped altogether. Isn't this something you've noticed? After all, you're a mathematician.† â€Å"I can't say I've given the matter any thought.† â€Å"No one does. It's accepted. Scientists are very good these days at saying that things are impossible, impractical, useless. They condemn any speculation at once. You, for instance-What do you think of psychohistory? It is theoretically interesting, but it is useless in any practical sense. Am I right?† â€Å"Yes and no,† said Seldon, annoyed. â€Å"It is useless in any practical sense, but not because my sense of adventure has decayed, I assure you. It really it useless.† â€Å"That, at least,† said Hummin with a trace of sarcasm, â€Å"is your impression in this atmosphere of decay in which all the Empire lives.† â€Å"This atmosphere of decay,† said Seldon angrily, â€Å"is your impression. Is it possible that you are wrong?† Hummin stopped and for a moment appeared thoughtful. Then he said, â€Å"Yes, I might be wrong. I am speaking only from intuition, from guesses. What I need is a working technique of psychohistory.† Seldon shrugged and did not take the bait. He said, â€Å"I don't have such a technique to give you.-But suppose you're right. Suppose the Empire it running down and will eventually stop and fall apart. The human species will still exist.† â€Å"Under what conditions, man? For nearly twelve thousand years, Trantor, under strong rulers, has largely kept the peace. There've been interruptions to that-rebellions, localized civil wars, tragedy in plenty-but, on the whole and over large areas, there has been peace. Why is Helicon so pro-Imperium? Your world, I mean. Because it is small and would be devoured by its neighbors were it not that the Empire keeps it secure.† â€Å"Are you predicting universal war and anarchy if the Empire fails?† â€Å"Of course. I'm not fond of the Emperor or of the Imperial institutions in general, but I don't have any substitute for it. I don't know what else will keep the peace and I'm not ready to let go until I have something else in hand.† Seldon said, â€Å"You talk as though you are in control of the Galaxy. You are not ready to let go? You must have something else in hand? Who are you to talk so?† â€Å"I'm speaking generally, figuratively,† said Hummin. â€Å"I'm not worried about Chetter Hummin personally. It might be said that the Empire will last my time; it might even show signs of improvement in my time. Declines don't follow a straight-line path. It may be a thousand years before the final crash and you might well imagine I would be dead then and, certainly, I will leave no descendants. As far as women are concerned, I have nothing but the occasional casual attachment and I have no children and intend to have none. I have given no hostages to fortune.-I looked you up after your talk, Seldon. You have no children either.† â€Å"I have parents and two brothers, but no children.† He smiled rather weakly. â€Å"I was very attached to a woman at one time, but it seemed to her that I was attached more to my mathematics.† â€Å"Were you?† â€Å"It didn't seem so to me, but it seemed so to her. So she left.† â€Å"And you have had no one since?† â€Å"No. I remember the pain too clearly as yet.† â€Å"Well then, it might seem we could both wait out the matter and leave it to other people, well after our time, to suffer. I might have been willing to accept that earlier, but no longer. For now I have a tool; I am in command.† â€Å"What's your tool?† asked Seldon, already knowing the answer. â€Å"You!† said Hummin. And because Seldon had known what Hummin would say, he wasted no time in being shocked or astonished. He simply shook his head and said, â€Å"You are quite wrong. I am no tool fit for use.† â€Å"Why not?† Seldon sighed. â€Å"How often must I repeat it? Psychohistory is not a practical study. The difficulty is fundamental. All the space and time of the Universe would not suffice to work out the necessary problems.† â€Å"Are you certain of that?† â€Å"Unfortunately, yes.† â€Å"There's no question of your working out the entire future of the Galactic Empire, you know. You needn't trace out in detail the workings of every human being or even of every world. There are merely terrain questions you must answer: Will the Galactic Empire crash and, if so, when? What will be the condition of humanity afterward? Can anything be done to prevent the crash or to ameliorate conditions afterward? These are comparatively simple questions, it seems to me.† Seldon shook his head and smiled sadly. â€Å"The history of mathematics is full of simple questions that had only the most complicated of answers-or none at all.† â€Å"Is there nothing to be done? I can see that the Empire is falling, but I can't prove it. All my conclusions are subjective and I cannot show that I am not mistaken. Because the view is a seriously unsettling one, people would prefer not to believe my subjective conclusion and nothing will be done to prevent the Fall or even to cushion it. You could prove the coming Fall or, for that matter, disprove it.† â€Å"But that is exactly what I cannot do. I can't find you proof where none exists. I can't make a mathematical system practical when it isn't. I can't find you two even numbers that will yield an odd number as a sum, no matter how vitally your all the Galaxy-may need that odd number.† Hummin said, â€Å"Well then, you're part of the decay. You're ready to accept failure.† â€Å"What choice have I?† â€Å"Can't you try? However useless the effort may seem to you to be, have you anything better to do with your life? Have you some worthier goal? Have you a purpose that will justify you in your own eyes to some greater extent?† Seldon's eyes blinked rapidly. â€Å"Millions of worlds. Billions of cultures. Quadrillions of people. Decillions of interrelationships.-And you want me to reduce it to order.† â€Å"No, I want you to try. For the sake of those millions of worlds, billions of cultures, and quadrillions of people. Not for the Emperor. Not for Demerzel. For humanity.† â€Å"I will fail,† said Seldon. â€Å"Then we will be no worse off. Will you try?† And against his will and not knowing why, Seldon heard himself say, â€Å"I will try.† And the course of his life was set. 14. The journey came to its end and the air-taxi moved into a much larger lot than the one at which they had eaten. (Seldon still remembered the taste of the sandwich and made a wry face.) Hummin turned in his taxi and came back, placing his credit slip in a small pocket on the inner surface of his shirt. He said, â€Å"You're completely safe here from anything outright and open. This is the Streeling Sector.† â€Å"Streeling?† â€Å"It's named for someone who first opened up the area to settlement, I imagine. Most of the sectors are named for someone or other, which means that most of the names are ugly and some are hard to pronounce. Just the same, if you try to have the inhabitants here change Streeling to Sweetsmell or something like that, you'll have a fight on your hands.† â€Å"Of course,† said Seldon, sniffing loudly, â€Å"it isn't exactly Sweetsmell.† â€Å"Hardly anywhere in Trantor is, but you'll get used to it.† â€Å"I'm glad we're here,† said Seldon. â€Å"Not that I like it, but I got quite tired sitting in the taxi. Getting around Trantor must be a horror. Back on Helicon, we can get from any one place to any other by air, in far less time than it took us to travel less than two thousand kilometers here.† â€Å"We have air-jets too.† â€Å"But in that case-â€Å" â€Å"I could arrange an air-taxi ride more or less anonymously. It would have been much more difficult with an air-jet. And regardless of how safe it is here, I'd feel better if Demerzel didn't know exactly where you were.-As a matter of fact, we're not done yet. We're going to take the Expressway for the final stage.† Seldon knew the expression. â€Å"One of those open monorails moving on an electromagnetic field, right?† â€Å"Right.† â€Å"We don't have them on Helicon. Actually, we don't need them there. I rode on an Expressway the first day I was on Trantor. It took me from the airport to the hotel. It was rather a novelty, but if I were to use it all the time, I imagine the noise and crowds would become overpowering.† Hummin looked amused. â€Å"Did you get lost?† â€Å"No, the signs were useful. There was trouble getting on and off, but I was helped. Everyone could tell I was an Outworlder by my clothes, I now realize. They seemed eager to help, though; I guess because it was amusing to watching me hesitate and stumble.† â€Å"As an expert in Expressway travel by now, you will neither hesitate nor stumble.† Hummin said it pleasantly enough, though there was a slight twitch to the corners of his mouth. â€Å"Come on, then.† They sauntered leisurely along the walkway, which was lit to the extent one might expect of an overcast day and that brightened now and then as though the sun occasionally broke through the clouds. Automatically, Seldon looked upward to see if that were indeed the case, but the â€Å"sky† above was blankly luminous. Hummin saw this and said, â€Å"This change in brightness seems too suit the human psyche. There are days when the street seems to be in bright sunlight and days when it is rather darker than it is now.† â€Å"But no rain or snow?† â€Å"Or hail or sleet. No. Nor high humidity nor bitter cold. Trantor has its points, Seldon, even now.† There were people walking in both directions and there were a considerable number of young people and also some children accompanying the adults, despite what Hummin had said about the birthrate. All seemed reasonably prosperous and reputable. The two sexes were equally represented and the clothing was distinctly more subdued than it had been in the Imperial Sector. His own costume, as chosen by Hummin, fit right in. Very few were wearing hats and Seldon thankfully removed his own and swung it at his side. There was no deep abyss separating the two sides of the walkway and as Hummin had predicted in the Imperial Sector, they were walking at what seemed to be ground level. There were no vehicles either and Seldon pointed this out to Hummin. Hummin said, â€Å"There are quite a number of them in the Imperial Sector because they're used by officials. Elsewhere, private vehicles are rare and those that are used have separate tunnels reserved for them. Their use is not really necessary, since we have Expressways and, for shorter distances, moving corridors. For still shorter distances, we have walkways and we can use our legs.† Seldon heard occasional muted sighs and creaks and saw, some distance off, the endless passing of Expressway cars. â€Å"There it is,† he said, pointing. â€Å"I know, but let us move on to a boarding station. There are more cars there and it is easier to get on.† Once they were safely ensconced in an Expressway car, Seldon turned to Hummin and said, â€Å"What amazes me is how quiet the Expressways are. I realize that they are mass-propelled by an electromagnetic field, but it seems quiet even for that.† He listened to the occasional metallic groan as the car they were on shifted against its neighbors. â€Å"Yes, it's a marvelous network,† said Hummin, â€Å"but you don't see it at its peak. When I was younger, it was quieter than it is now and there are those who say that there wasn't as much as a whisper fifty years ago-though I suppose we might make allowance for the idealization of nostalgia.† â€Å"Why isn't it that way now?† â€Å"Because it isn't maintained properly. I told you about decay.† Seldon frowned. â€Å"Surely, people don't sit around and say, ‘We're decaying. Let's let the Expressways fall apart.' â€Å" â€Å"No, they don't. It's not a purposeful thing. Bad spots are patched, decrepit coaches refurbished, magnets replaced. However, it's done in more slapdash fashion, more carelessly, and at greater intervals. There just aren't enough credits available.† â€Å"Where have the credits gone?† â€Å"Into other things. We've had centuries of unrest. The navy is much larger and many times more expensive than it once was. The armed forces are much better-paid, in order to keep them quiet. Unrest, revolts, and minor blazes of civil war all take their toll.† â€Å"But it's been quiet under Cleon. And we've had fifty years of peace.† â€Å"Yes, but soldiers who are well-paid would resent having that pay reduced just because there is peace. Admirals resist mothballing ships and having themselves reduced in rank simply because there is less for them to do. So the credits still go-unproductively-to the armed forces and vital areas of the social good are allowed to deteriorate. That's what I call decay. Don't you? Don't you think that eventually you would fit that sort of view into your psychohistorical notions?† Seldon stirred uneasily. Then he said, â€Å"Where are we going, by the way?† â€Å"Streeling University.† â€Å"Ah, that's why the sector's name was familiar. I've heard of the University.† â€Å"I'm not surprised. Trantor has nearly a hundred thousand institutions of higher learning and Streeling is one of the thousand or so at the top of the heap.† â€Å"Will I be staying there?† â€Å"For a while. University campuses are unbreathable sanctuaries, by and large. You will be safe there.† â€Å"But will I be welcome there?† â€Å"Why not? It's hard to find a good mathematician these days. They might be able to use you. And you might be able to use them too-and for more than just a hiding place.† â€Å"You mean, it will be a place where I can develop my notions.† â€Å"You have promised,† said Hummin gravely. â€Å"I have promised to try, † said Seldon and thought to himself that it was about like promising to try to make a rope out of sand. 15. Conversation had run out after that and Seldon watched the structures of the Streeling Sector as they passed. Some were quite low, while some seemed to brush the â€Å"sky.† Wide crosspassages broke the progression and frequent alleys could be seen. At one point, it struck him that though the buildings rose upward they also swept downward and that perhaps they were deeper than they were high. As soon as the thought occurred to him, he was convinced it was true. Occasionally, he saw patches of green in the background, farther back from the Expressway, and even small trees. He watched for quite a while and then became aware that the light was growing dimmer. He squinted about and turned to Hummin, who guessed the question. â€Å"The afternoon is waning,† he said, â€Å"and night is coming on.† Seldon's eyebrows raised and the corners of his mouth turned downward. â€Å"That's impressive. I have a picture of the entire planet darkening and then, some hours from now, lighting up again.† Hummin smiled his small, careful smile. â€Å"Not quite, Seldon. The planet is never turned off altogether-or turned on either. The shadow of twilight sweeps across the planet gradually, followed half a day later by the slow brightening of dawn. In fact, the effect follows the actual day and night above the domes quite closely, so that in higher altitudes day and night change length with the seasons.† Seldon shook his head, â€Å"But why close in the planet and then mimic what would be in the open?† â€Å"I presume because people like it better that way. Trantorians like the advantages of being enclosed, but they don't like to be reminded of it unduly, just the same. You know very little about Trantorian psychology, Seldon.† Seldon flushed slightly. He was only a Heliconian and he knew very little about the millions of worlds outside Helicon. His ignorance was not confined to Trantor. How, then, could he hope to come up with any practical applications for his theory of psychohistory? How could any number of people-all together-know enough? It reminded Seldon of a puzzle that had been presented to him when he was young: Can you have a relatively small piece of platinum, with handholds affixed, that could not be lifted by the bare, unaided strength of any number of people, no matter how many? The answer was yes. A cubic meter of platinum weighs 22,420 kilograms under standard gravitational pull. If it is assumed that each person could heave 120 kilograms up from the ground, then 188 people would suffice to lift the platinum.-But you could not squeeze 188 people around the cubic meter so that each one could get a grip on it. You could perhaps not squeeze more than 9 people around it. And levers or other such devices were not allowed. It had to be â€Å"bare, unaided strength.† In the same way, it could be that there was no way of getting enough people to handle the total amount of knowledge required for psychohistory, even if the facts were stored in computers rather than in individual human brains. Only so many people could gather round the knowledge, so to speak, and communicate it. Hummin said, â€Å"You seem to be in a brown study, Seldon.† â€Å"I'm considering my own ignorance.† â€Å"A useful task. Quadrillions could profitably join you.-But it's time to get off.† Seldon looked up. â€Å"How can you tell?† â€Å"Just as you could tell when you were on the Expressway your first day on Trantor. I go by the signs.† Seldon caught one just as it went by: STREELING UNIVERSITY-3 MINUTES. â€Å"We get off at the next boarding station. Watch your step.† Seldon followed Hummin off the coach, noting that the sky was deep purple now and that the walkways and corridors and buildings were all lighting up, suffused with a yellow glow. It might have been the gathering of a Heliconian night. Had he been placed here blindfolded and had the blindfold been removed, he might have been convinced that he was in some particularly well-built-up inner region of one of Helicon's larger cities. â€Å"How long do you suppose I will remain at Streeling University, Hummin?† he asked. Hummin said in his usual calm fashion, â€Å"That would be hard to say, Seldon. Perhaps your whole life.† â€Å"What!† â€Å"Perhaps not. But your life stopped being your own once you gave that paper on psychohistory. The Emperor and Demerzel recognized your importance at once. So did I. For all I know, so did many others. You see, that means you don't belong to yourself anymore.†

Jack Kerouac’s On The Road

The ideas presented in the novel about life, beliefs, different feelings, and the kind of harassers depicted shaped America's youth culture for decades and the book became a sort of icon for this generation. On the Road provoked a change in the consciousness of the country. As Kerouac friend, William Burroughs, wrote, â€Å"It sold a trillion Levies, a million espresso coffee machines, and also sent countless kids on the road† (Change, 2007). Moreover, Kerouac book was also used as a gulled for several people In their road trips.In this essay, I will try to examine the way in which On the Road gives voice to the new social attitude which emerged after the publication of the book and it is known as the ‘beat' generation. The novel seems to promote a series of revolutionary values against the official conventions of America. In this way, traditional family values of responsibility, morality, religious ideas and working hard -as the family portrayed in Capote's In Cold Bloo d- are oppositely represented in the novel. Dean Mortality refuses to assume the social responsibilities that society imposes upon him.He Is with two women at the same time, so he Is not faithful to his wife. Moreover, he leaves his wife and children and goes on the road without worrying about their welfare. He Is very Irresponsible and because of him many people suffer. An example to Illustrate this would be noon have absolutely no regard for anybody but yourself and you damned kicks†¦ † (Kerouac, 1972: 182). Besides, both Dean and Sal are always short of money but they do not care about it and go on the road anyway. They do not have a permanent Job or work hard to keep the Jobs they get in some cities they arrive.Although, Sal writes book and tries to sell them, he is always has to ask her generous aunt to send him money. Then, both Dean and Sal have another philosophy of live, they want to have fun without responsibility and they do not care about American rotational v alues. Therefore, the novel presents a detachment from the American conventional society. This detachment from American traditional values created a new social attitude, depicted in Kerouac novel, which showed restlessness and dissatisfaction.The These people were idealistic and yearn for something more than the conformity of a prosperous society, which had became flourishing after the World War II to turn into one of the most powerful countries in the world. In the novel we can see how the characters go on the road because they are not satisfied with their lives and desire to get freedom. In that way, we can see the road as an open path which gives freedom as well as thrill of movement. With these Journeys, the characters also reflect the Joy of being young and alive, with no money in their pockets but no obligation either.A part from traveling, characters seem to vindicate the use of drugs, drink, sex, and music since these are the most characteristic things of their trips. These also help them in the search of the release they are looking for. Moreover, crossing the country in that way was only possible because at that time there were many motorways due to the prosperity of the country and cars began to e accessible for more people. In the novel, we can see how the car represents the consumer society of the time and how the characters do not fit into it.For instance, Sal made his first travel to the West by hitchhiking because he does not have money. Later, in another travel, Dean bought a new car -although he does it with all the money he had saved, leaving his wife without anything. This is something very important because for them the car is their dream of freedom. They can go wherever they want without depending on anybody, that is, without hitchhiking. However, when Dean picks up Sal for the first time with his new car, Sal realizes that it was already broken: â€Å"The radio was not working.It was a brand-new car bought five days ago, and already it was broken† (Kerouac, 1972: 111). In addition, we can also see this consumption in other aspects such as when Sal goes to the opera and wears a friend's suit. He feels on the top of the world (Kerouac, 1972: 51). Another aspect that we can see in the novel is that Dean and Sal go on the road since they yearn for new experiences which can contribute to their personal development as individuals. For them, life is a process and they want to find its meaning.They do not stop moving because they feel the necessity to do so. Several examples to illustrate this can be â€Å"we were performing our one and noble function of the time, move† (Kerouac, 1972: 127); â€Å"the road must eventually lead to the whole world† (Kerouac, 1972: 216). Traveling on the road also gives the characters self- knowledge and even maturity. Then, moving seems to be a necessary tactic for survival. This is connected with the fact that the real Journeys turn to be inward journeys for each charac ter. This is better seen in Sal Paradise.He seems to be searching for something since his Journeys are like quest for values or beliefs. He mess to get it while he is on the move, but the moment he stops, he wants to come back. He does not find what he is looking for. For instance, the first time he arrives San Francisco, after having wished going to the west a lot, he feels lonely and he wants to come back. He does not find the ‘paradise' he was looking for and so he has to keep moving. Society. He feels lonely, restless and depressed. He is also afraid of falling in love: â€Å"a girl like that scares me† (Kerouac, 1972: 214).He described himself as â€Å"l like too many things and get all confused and hung-up running from one falling star to another till I drop† (Kerouac, 1972: 120). It seems that Sal is disappointed about America. When he arrives at San Francisco he realizes that the continent is not big any more, there is a limit: â€Å"we can't go any fart her 'cause there anti no more land† (Kerouac, 1972: 161). Or when he tries to sit on the banks of the Mississippi River he cannot because the access is blocked with a fence (Kerouac, 1972: 141).The freedom and well-being he is looking for at first is represented by the West, which is also a symbol for future, prosperity and renovation. It is also associated with the traditional idea of the American Dream. On the other hand, the East is considered old, stagnant, intellectual, and he does not want to belong to that. The more Sal is reaching west, the best he feels: † it was getting better as I got deeper into Iowa† (Kerouac, 1972: 20). Therefore, there are two sides of everything: American West which can either fill the spirit and be the epitome of loneliness.It all depends on his emotional state. This view changed as long as Sal has grown as a character. He learns that East is also sweet (Kerouac, 1972: 222) and that there is wilderness in the East too. He becomes s trong, confident and in love. On the contrary, we cannot see this self-development in Dean and maybe that is the season why towards the end of the novel there is a detachment between both characters. Their positions have changed. Dean is incoherent and lost. However, the character of Dean Mortality became a sort of hero for this generation.Dean's arrival put everything into motion. He is full of energy, very masculine; he has impulsive passion; he represents what Sal is not. He symbolizes the pioneering instinct, the spirit of the west, idea of moving west to get freedom. So he is the personification of Gal's dream of the west. At the beginning he is seen as a sort of prophet (Kerouac, 1972: 38) but this is broken towards the end. As I said before, he is very irresponsible, even a con-man and almost a delinquent as he stole cars Just for fan.Victor, the Mexican man, is the first man to refuse Dean's attempt to follow him onto the road. His moral obligations to his wife and child are clear to him. He represents the morality Sal is in search of. Therefore, although the novel seems to celebrate the character of Dean Mortality, he is a questioned hero. To conclude, I have been talking about how Jack Kerouac On the Road inspired a new cultural phenomenon, which was known as the ‘beat' generation. I have pointed UT what I think the most relevant evidences are to show the way the book presents this new social attitude.

Dental Care Pedo Essay

Tips for your child’s diet and Dental Health * Ask your dentist to help you assess your child’s diet. * Avoid stocking your pantry with sugary or starchy snacks. * Limit the number of snack times. Stick to nutritious snacks * Provide a balanced diet, and save foods with sugar or starch For mealtimes. * DO NOT put your child to bed with a bottle of formula, milk, or juice. * Shop for â€Å"sugar free† candy or soda. **Dental Care for Children and Adults with Special Needs** Pediatric dentists have two or more yrs of advanced training beyond dental school. Their education as specialists focused on care for children with special needs. The offices are designed to be physically accessible for special needs patients. The dentist has education in behavior management, sedation and anesthesia techniques. They will select the best technique based on the specific health needs; discuss the benefits, limits and risks of that technique. **Dental care for babies** Start at birth, clean your child’s gums with A soft infant toothbrush or cloth and water. as soon as the teeth appear, start brushing 2 times a day using fluoride toothpaste and a oft age appropriate sixed toothbrush. â€Å"Smear† toothpaste to brush the teeth for children less then 2 yrs old. â€Å"pea-size† amount of toothpaste for 2-5 yrs. Before graduating, dental student must successfully complete the National Board Dental Examination ( Parts I and II) Part 1 – biochemistry, physiology, microbiology, pathology, and dental anatomy and occlusion. Part 2- pharmacology, Endo, Perio, OS, Pros, ortho, Pedo,oral pathology and radiology. Pain control Degrees granted. D. D. S D. M. D- There are 61 schools of dentistry in 36 states and Puerto Rico Pedodontics is a Branch of Dentistry dealing with children from birth through adolescence (0 – 12yrs old) also specialize in the care of â€Å"special needs† patients. It is Recognized by the American Dental Assoc.